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      <image:title>News - Tribeca Film Festival 2019 - Making Waves World Premiere!</image:title>
      <image:caption>Walter Murch mixing the sound on Apocalypse Now (1979).</image:caption>
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      <image:title>News - Tribeca Film Festival 2019 - Making Waves World Premiere!</image:title>
      <image:caption>A post-screening Q&amp;A, with supervising editor THOMAS G. MILLER, producer BOBETTE BUSTER, director MIDGE COSTIN, editor DAVID J. TURNER, and composer ALLYSON NEWMAN | Photo © Arthur Musah</image:caption>
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      <image:title>News - Tribeca Film Festival 2019 - Making Waves World Premiere!</image:title>
      <image:caption>It was great to have my girlfriend and family come out to join me for the premiere in New York too.</image:caption>
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      <image:title>News - Cannes Film Festival 2019 - Making Waves International Premiere!</image:title>
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      <image:title>News - Cannes Film Festival 2019 - Making Waves International Premiere!</image:title>
      <image:caption>‘Making Waves’ on the Cannes Red Carpet, with director MIDGE COSTIN, producers BOBETTE BUSTER &amp; KAREN JOHNSON, executive producer RoANN COSTIN, director of photography SANDRA CHANDLER, and editor DAVID J. TURNER.</image:caption>
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      <image:title>News - Cannes Film Festival 2019 - Making Waves International Premiere!</image:title>
      <image:caption>Director of photography SANDRA CHANDLER, editor DAVID J. TURNER, composer ALLYSON NEWMAN, and supervising editor THOMAS G. MILLER.</image:caption>
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      <image:title>News - Cinema Audio Society Winner</image:title>
      <image:caption>Accepting the Cinema Audio Society award for ‘Outstanding Achievement in Sound Mixing - Motion Picture Documentary.’</image:caption>
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      <image:caption>Fellow CAS winner Tom Myers gives a speech, as music mixer Dan Blanck and I look on.</image:caption>
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      <image:caption>Me, Tom, and Dan with our CAS awards for ‘Making Waves.’</image:caption>
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      <image:caption>Joined by the whole team - director Midge Costin, producer Karen Johnson, ‘Making Waves’ interviewees David Macmillan &amp; Tom Holman, and CAS student nominee (and future winner!) Audrey Gu.</image:caption>
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      <image:caption>Signing the ACE Eddie Nominee poster. ‘Making Waves’ director Midge Costin looks on.</image:caption>
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      <image:caption>With fellow ACE Eddie nominee Thomas G. Miller and consulting editor Kate Amend.</image:caption>
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      <image:caption>Joined by the rest of the ‘Making Waves’ team who was at the event - producer Karen Johnson, director Midge Costin, producer Bobette Buster, and composer Allyson Newman.</image:caption>
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      <image:caption>The final signed poster with all the 2020 ACE Eddie nominees.</image:caption>
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      <image:title>Miller</image:title>
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      <image:title>Miller</image:title>
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      <image:title>Miller</image:title>
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      <image:title>Miller</image:title>
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      <image:title>Miller</image:title>
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      <image:title>Miller</image:title>
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      <image:caption>With the team of ‘Making Waves: The Art of Cinematic Sound’ before our screening at the Cannes Film Festival in 2019. (me on the right)</image:caption>
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      <image:caption>Working on the structure of ‘Making Waves: The Art of Cinematic Sound’ with my director on the porch behind my Los Angeles edit room in 2016.</image:caption>
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      <image:caption>Filming a documentary in Sao Paulo in 2007.</image:caption>
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      <image:caption>With the team of ‘Fruitvale Station’ at Sundance in 2013.</image:caption>
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